The Gallery as Adult Play Centre
Mar. 5th, 2008 12:02 pmA talk at the ICA on the 29th of February: Fun and Games: The Gallery as Adult Play Centre
I've hung upside down on a climbing frame in an art gallery in Amsterdam and I know that many people played on the slides at the Tate Modern in London, so when I heard that the ICA's founding president, Hubert Read, described the ICA at its inception as an "adult play centre", I was inclined to agree that art galleries can be thought of that.
The talk at the ICA included various speakers, including curators from the Tate Modern, and a number of interesting points were discussed, but no conclusions really seemed to be reached. A video of Oh What a Lovely Whore was shown and then Sebastian Boyle spoke about it. Oh What a Lovely Whore was an exhibition, which looked more like a party really, that happened in 1965 and seemed to involve people getting drunk and smashing up pianos to turn them into new forms of instrument. Tino Sehgal's 2007 This Success/This Failure exhibition was also talked about, which simply involved a gallery full of actual children playing.
A few notes:
- "Play is crucial in sublimating aggression" - Read.
- "Man only plays when in the full meaning of the word he is a man, and he is only completely a man when he plays" - Schiller.
- What happens when participation is forced?
- Being subversive by not playing.
- Invigilators at art galleries hinder play.
- You are not allowed to be delirious.
- Playing is not the same as gaming.
I've hung upside down on a climbing frame in an art gallery in Amsterdam and I know that many people played on the slides at the Tate Modern in London, so when I heard that the ICA's founding president, Hubert Read, described the ICA at its inception as an "adult play centre", I was inclined to agree that art galleries can be thought of that.
The talk at the ICA included various speakers, including curators from the Tate Modern, and a number of interesting points were discussed, but no conclusions really seemed to be reached. A video of Oh What a Lovely Whore was shown and then Sebastian Boyle spoke about it. Oh What a Lovely Whore was an exhibition, which looked more like a party really, that happened in 1965 and seemed to involve people getting drunk and smashing up pianos to turn them into new forms of instrument. Tino Sehgal's 2007 This Success/This Failure exhibition was also talked about, which simply involved a gallery full of actual children playing.
A few notes:
- "Play is crucial in sublimating aggression" - Read.
- "Man only plays when in the full meaning of the word he is a man, and he is only completely a man when he plays" - Schiller.
- What happens when participation is forced?
- Being subversive by not playing.
- Invigilators at art galleries hinder play.
- You are not allowed to be delirious.
- Playing is not the same as gaming.
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